“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature
DOI :
https://doi.org/10.25071/1916-0925.40065Résumé
L’écrivaine juive canadienne Miriam Waddington est fréquemment revenue sur le sujet de la guerre civile d’Espagne, cherchant la lumière dans les ruines de la démocratie espagnole. Le conflit, prélude de la Seconde Guerre mondiale, a suscité beaucoup d’engagement et inspiré de nombreuses œuvres littéraires. Mon article met en avant la perspective poétique unique de Waddington, où elle représente l’Holocauste comme une émanation de la Guerre d’Espagne tout en éclairant les répercussions profondément intimes de la guerre – ses conséquences pour les femmes, pour la terre et pour la communauté. La poésie de Waddington fait dialoguer droits des femmes et droits de la personne, paix canadienne et guerre européenne, persécution juive et carnage espagnol.Références
A. M. Klein, “Of Castles in Spain,” Complete Poems by A. M. Klein, ed. Zailig Pollock (Toronto: University of Toronto Press, 1990), 473-74.
Alain Brossat and Sylvia Klingberg, Revolutionary Yiddishland: A History of Jewish Radicalism, trans. David Fernbach (New York: Verso, 2016), 95-129
Bart Vautour,Kaarina Mikalson, and Emily Robins Sharpe, “Bibliography,” Canada and the Spanish Civil War: Virtual Research Environment of Canadian Cultural History about the Spanish Civil War, Sept. 13, 2017, http://spanishcivilwar.ca/content/bibliography.
Candida Rifkind, Comrades and Critics: Women, Literature, and the Le! in 1930s Canada (Toronto: University of Toronto Press, 2009), 10-11. DOI: https://doi.org/10.3138/9781442687707
Candida Rifkind, “‘A Collection of Solitary Fragments’: Miriam Waddington as Critic,” Wider Boundaries of Daring: The Modernist Impulse in Canadian Women’s Poetry, eds. Di Brandt and Barbara Godard (Waterloo, ON: Wilfrid Laurier University Press, 2009), 253-73.
Cary Nelson, Revolutionary Memory: Recovering the Poetry of the American Le! (New York: Routledge, 2003), 220-24.
Charles Yale Harrison, Meet Me on the Barricades, eds. Bart Vautour and Emily Robins Sharpe (Ottawa: University of Ottawa Press, 2016).
Derek Penslar, Jews and the Military: A History (Princeton: Princeton University Press, 2013), 201-07. DOI: https://doi.org/10.1515/9781400848577
Ester Reiter, A Future Without Hate or Need: The Promise of the Jewish Le! in Canada (Toronto: Between the Lines, 2016), 75-85.
Friedel H. Bastein, “‘A European Writer in Canada’: A Brief Introduction to the Life and Work of Miriam Waddington,” Voices from Distant Lands: Poetry in the Commonwealth, eds. Konrad Gross and Wolfang Klooss (Würzburg: Königshausen und Neumann, 1983), 94-97.
Gellhorn, “Good Will to Men” in The Heart of Another (New York: Charles Scribner’s Sons, 1941), 186-267.
Gellhorn. Till Death Do Us Part in The Novellas of Martha Gellhorn (New York: Knopf, 1993), 271-309.
Gellhorn. “About Shorty,” in The Honeyed Peace (Garden City: Doubleday, 1953), 119-31.
Gerald Tulchinsky, Canada’s Jews: A People’s Journey (Toronto: University of Toronto Press, 2008), 281. DOI: https://doi.org/10.3138/9781442687486
Gerassi, The Premature Antifascists: North American Volunteers in the Spanish Civil War, 1936-1939, An Oral History (New York: Praeger, 1986).
Hugh Garner, Cabbagetown (Toronto: Mc- Graw-Hill Ryerson, 1968), 408.
Ian McKay, Rebels, Reds, Radicals: Rethinking Canada’s Le! History (Toronto: Between the Lines, 2005), 145-217.
Ira Robinson, A History of Antisemitism in Canada (Waterloo: Wilfrid Laurier University Press, 2015), 59-101.
Irving Abella, A Coat of Many Colours: Two Centuries of Jewish Life in Canada (Toronto: Lester & Orpen Dennys, 1990), 103.
Irving Layton, “On Spanish Soil,” “El Caudillo,” and “El Gusano,” in Vulpe and Albari, eds., Sealed in Struggle, 211-15.
Jim Fyrth, Foreword in Women’s Voices from the Spanish Civil War, eds. Jim Fyrth and Sally Alexander (London: Lawrence and Wishart, 2008), 29 n. 1.
Judith Brown, “Turning Words on a Loom:
Jørn Carlsen, “Canadian Literature and the Spanish Civil War,” Dolphin 16 (1988): 41-53.
L. R. Ricou, “‘Into My Green World’: The Poetry of Miriam Waddington” Essays on Canadian Writing 12 (Jan. 1978): 162-91.
Larry Hannant, “‘My God, are they sending women?’: Three Canadian Women in the Spanish Civil War, 1936-1939,” Journal of the Canadian History Association/Revue de la Société historique du Canada, 15.1 (2004): 153-76. DOI: https://doi.org/10.7202/012072ar
Laurie Ricou, “Miriam Waddington (1917- ),” Canadian Writers, 1920-1959, First Series, ed. W. H. New (Detroit: Bruccoli Clark Layman, 1988), 334-39.
Leonard Cohen, Book of Longing (New York: Harper- Collins, 2006).
Leonard Cohen, “Take This Waltz,” Poets in New York, Discos CBS, 1986.
Leonard Cohen, “The Traitor,” Recent Songs, Columbia, 1979.
Liz Tetzlaff, “Miriam Waddington’s Poetry Enters Spain Stage Le",” Canada and the Spanish Civil War: Virtual Research Environment of Canadian Cultural History about the Spanish Civil War, 2016, available from <http://spanishcivilwar.ca/sites/spanishcivilwar.ca/files/Tetzlaff-MiriamWaddingtonsPoetry.pdf>.
Mark Zuehlke, The Gallant Cause: Canadians in the Spanish Civil War, 1936-1939 (Vancouver: Whitecap Books, 1996)
Mary Peck, Red Moon Over Spain: Canadian Media Reaction to the Spanish Civil War, 1936-1939 (Ottawa: Steel Rail, 1988). DOI: https://doi.org/10.2307/25143215
Matt Cohen, “The Sins of Tomas Benares,” in Life on This Planet and Other Stories (New York: Beaufort, 1985), 76-102.
Menkis, “Miriam Dworkin Waddington,” Jewish Women: A Comprehensive Historical Encyclopedia, March 1, 2009, <https://jwa.org/encyclopedia/article/waddington-miriam-dworkin>.
Miriam Waddington, “The Exiles: Spain,” ““Spanish Lovers Seek Respite”,” “Dog Days,” “Icons,” and “The Woman in the Hall,” in The Collected Poems of Miriam Waddington, ed. Ruth Panofsky (Ottawa: University of Ottawa Press, 2014).
Mordecai Richler, Joshua Then and Now (New York: Knopf, 1980).
Mordecai Richler, The Acrobats (Toronto: McClelland & Stewart, 2002).
Nicola Vulpe and Maha Albari, eds., Sealed in Struggle: Canadian Poetry and the Spanish Civil War (La Laguna, Tenerife: Centre for Canadian Studies, 1995).
Panofsky, “Guest Editor’s Introduction,” special issue of Studies in American Jewish Literature 35.2 (2016): 139. DOI: https://doi.org/10.5325/studamerjewilite.35.2.0137
Petrou, Renegades (Vancouver: University of British Columbia Press, 2008), 22-23.
Ruth Panofsky, Introduction, The Collected Poems of Miriam Waddington, ed. Ruth Panofsky (Ottawa: University of Ottawa Press, 2014), xiii.
Ruth Panofsky, “‘This Problem of identity’: Miriam Waddington’s Summer at Lonely Beach and Other Stories,” At Odds in the World: Essays on Jewish Canadian Women Writers by Ruth Panofsky (Toronto: Inanna Publications and Education, 2008), 13-32.
Seymour Mayne, “Parrots, Generals,”, “Madrid Evening,” and “Spain, You Hurt Me,” in Vulpe and Albari, eds., Sealed in Struggle, 217.
Stanley Weintraub, The Last Great Cause: The Intellectuals and the Spanish Civil War (New York: Weybright and Talley, 1968).
Stevens, Miriam Waddington and Her Works (Toronto: ECW Press, 1984), 1.
Sánchez-Pardo González, “Transitional Spaces: Constructions of the Modernist ‘I’ in Miriam Waddington’s Poetry,” Revista canaria de estudios ingleses 54, no. 1 (2007): 169-80, 179.
Ted Allan, This Time a Better Earth, ed. Bart Vautour (Ottawa: University of Ottawa Press, 2015), 40.
The Last Landscape (Don Mills: Oxford University Press, 1992), 3-5.
The Last Landscape by Miriam Waddington,” review of The Last Landscape by Miriam Waddington, Essays on Canadian Writing 55 (Spring 1995): 269.
Victor Hoar, The Mackenzie-Papineau Battalion: Canadian Participation in the Spanish Civil War (Toronto: Copp Clark, 1969).
Waddington, Call them Canadians: A Photographic Point of View, ed. Lorraine Monk, prod. National Film Board of Canada (Ottawa: Roger Duhamel, 1968), 187.
Waddington, “Canadian Tradition and Canadian Literature,” Journal of Commonwealth Literature 8.1 (1969): 140.
Waddington, “Mrs. Maza’s Salon,” Canadian Woman Studies/Les cahiers de la femme 16.4 (1996): 121.
Waddington, “The Exiles: Spain,” in The Collected Poems of Miriam Waddington, ed. Ruth Panofsky (Ottawa: University of Ottawa Press, 2014), 2.
Walter Benjamin, “Theses on the Concept of History,” trans. Dennis Redmond, The Walter Benjamin Archive, 1940, https://www.marxists.org/reference/archive/benjamin/1940/history.htm.
William C. Beeching, Canadian Volunteers: Spain, 1936-1939 ([Regina]: Canadian Plains Research Center, University of Regina, 1989).
Zaagsma, Jewish Volunteers, the International Brigades and the Spanish Civil War (New York: Bloomsbury Academic, 2017).
Téléchargements
Comment citer
Numéro
Rubrique
Licence
Canadian Jewish Studies/ Études juives canadiennes is a journal dedicated to the open exchange of information; therefore the author agrees that the work published in the journal be made available to the public under a Creative Commons Attribution-Noncommerrcial-No Derivative Woks 4.0 Unported License. The publisher (Association for Canadian Jewish Studies / Association des études juives canadiennes) recognizes the author's intellectual property rights. The author grants the publisher first serial publication rights and the non-exclusive right to mount, preserve and distribute the intellectual property. The journal is digitized and published on the open access website http://pi.library.yorku.ca/ojs/index.php/cjs/index.