The Canadian Jewish Connection to the Visual Narrative of Nationhood at the Jewish Palestine Pavilion in New York (1939) and the Israel Pavilion and Pavilion of Judaism in Montreal (1967)

Auteurs-es

  • Loren Lerner

DOI :

https://doi.org/10.25071/1916-0925.40070

Références

Alex Dworkin Canadian Jewish Archives, Canadian Jewish Congress collection, Series ZA (chronological files), ZA1967, box 2, file 20D.

Alex Dworkin Canadian Jewish Archives, Canadian Jewish Congress departmental records, Series CA, box 92, file 1079.

Barbara Kirshenblatt-Gimblett, Performing the State: The Jewish Palestine Pavilion at the New York World’s Fair, 1939/40, The Art of Being Jewish in Modern Times, eds. Barbara Kirshenblatt-Gimblett and Jonathan Karp (Philadelphia: University of Pennsylvania Press, 2008), 98-115. DOI: https://doi.org/10.9783/9780812208863

Benny Morris, Righteous Victims: A History of the Zionist-Arab Conflict, 1881-1998 (New York: Random, 1999), 158-59.

Dalia Manor, “Biblical Zionism in Bezalel Art,” Israel Studies 6 no.1 (2001): 55-75 and Art in Zion: The Genesis of National Art in Jewish Palestine (RoutledgeCurzon, 2005). DOI: https://doi.org/10.2979/ISR.2001.6.1.55

David Ohana, Modernism and Zionism (Palgrave Macmillan, 2012). DOI: https://doi.org/10.1057/9781137264855

Dov Sinai to Alan Bronfman, August 1, 1966. Alex Dworkin Canadian Jewish Archives, Canadian Jewish Congress departmental records, Series CA, box 92, file 1079.

Elias Newman, Art in Palestine (New York: Siebel Company Publishers, 1939).

Emily Alice Katz, “It’s the Real World A!er All: The American-Israel Pavilion-Jordan Pavilion Controversy at the New York World’s Fair, 1964-1965,” American Jewish History 91 no.1 (2003) 129-155.

Erwin Panofsky, Studies in Iconology: Humanistic Themes in the Art of the Renaissance (New York: Oxford University Press, 1939).

Gary R. Miedema, For Canada’s Sake: Public Religion, Centennial Celebrations, and the Re-making of Canada in the 1960s (Montreal: McGill-Queen’s University Press, 2005), 161-99.

Gelvin, James L., “Zionism and the Representation of ‘Jewish Palestine’ at the New York World’s Fair, 1939- 1940,” The International History Review 22, no. 1 (2000): 37–64. DOI: https://doi.org/10.1080/07075332.2000.9640891

Gerald J. J. Tulchinsky, Taking Root: The Origins of the Canadian Jewish Community (Hanover: Brandeis University Press, 1993), 200.

Howard Goodman, “Shanghai’s Israel Pavilion: Introducing the Chinese People to the Jewish Story,” Haaretz (May 11, 2010), available at http://www.haaretz.com/jewish/shanghai-s-israel-pavillion-introducing-the-chinese-people-to-the-jewish-story-1.289706.

Leonard Stein, The Balfour Declaration (New York: Simon & Schuster, 1961).

Loren Lerner, “Knafo Klimor Architects’ ‘The Fields of Tomorrow’ Israel Pavilion at Milano Expo, 2015: The Challenges of Embodying Agricultural Sustainability in an Architectural Concept,” unpublished paper, Association for Israel Studies Conference, Azrieli Institute of Israeli Studies, Concordia University (June 1, 2015).

Maoz Azaryahu, “A Brief and Concentrated Image of Our Ambitions and Problems: The Israeli Pavilion at the World’s Fair, Brussels 1958,” Israel Studies in Zionism and the State of Israel History, Society, Culture no. 6 (2004): 1-30 (in Hebrew).

Meaning in the Visual Arts (Garden City, NY: Doubleday, 1955).

Meyer Wolfe Weisgal, Meyer Weisgal ... So Far: An Autobiography (New York: Random House, 1971), 150-155.

Nurit Shilo Cohen, “‘Hebrew Style’ of Bezalel, 1906–1929,” Journal of Decorative and Propaganda Arts, 20 (1994): 140–163.

Pavilion of Judaism, Expo 67, Max Wolfe Roth Archive, Pavilion of Judaism, Expo 67, no. 66954, Canadian Centre for Architecture, Montreal.

Pierre van Paassen, “Armageddon, The Battle of the Lord,” in Weisgal, ed., Palestine Book, 45.

Ronald Fuhrer, Israeli Painting: From Post-Impressionism to Post-Zionism (Woodstock, NY: Overlook Press, 1998).

Ruth Oren, “Zionist Photography 1910-1941: Constructing a Landscape,” History of Photography 19 no. 3 (1985): 201-210. DOI: https://doi.org/10.1080/03087298.1995.10443556

Shuchat, Rabbi Wilfred, Gate of Heaven: The Story of Congregation Shaar Hashomayim in Montreal, 1846-1996 (Montreal: Mc- Gill-Queen’s University Press, 2000), 343-52.

Vivienne Silver-Brody, Documentors of the Dream: Pioneer Jewish Photographers in the Land of Israel, 1890-1933 (Jerusalem: Magnes Press, Hebrew University. Philadelphia: Jewish Publication Society 1998).

Walter Laqueur, The History of Zionism (Tauris Parke Paperbacks, 2003), 181-205.

Weisgal, in Weisgal, ed., Palestine Book: Jewish-Palestine Pavilion New York World’s Fair, 1939 (New York: Pavilion Publications, 1939), 16.

“Pavilion of Judaism,” Alex Dworkin Canadian Jewish Archives, Canadian Jewish Congress collection, Series ZA (chronological files) ZA1967, box 2, file 20.

“Pavilion of Judaism,” The Foundation for Judaism. Alex Dworkin Canadian Jewish Archives, Canadian Jewish Congress collection, Series ZA (chronological files), ZA1967, box 2, file 20D.

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Comment citer

Lerner, L. (2018). The Canadian Jewish Connection to the Visual Narrative of Nationhood at the Jewish Palestine Pavilion in New York (1939) and the Israel Pavilion and Pavilion of Judaism in Montreal (1967). Canadian Jewish Studies Études Juives Canadiennes, 26(1). https://doi.org/10.25071/1916-0925.40070

Numéro

Rubrique

Special Sub-Section: “Faces of Israel at Expo 67” / Sous-section spéciale : « Les visages d’Israël à l’Expo 67 »